Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts

Tuesday 5 February 2013

F1 Revisited - a new season of Darren Heath


A year older, a year not that much wiser, but the last twelve months have certainly blurred past. Whether it was 100mph with the landscape as coloured lines, a brief moment of dark introspection or an intense effort to stay focused, time has rumbled on; after all, another year, another Grand Prix season. Once again Darren Heath's images of Formula One give the office gallery a sense of excitement and drama. With a more leisurely interest I went down to see what differences could be found, given the exact same topic and medium which was exhibited a year ago.

Thursday 25 October 2012

Art/Photography/Space/Death

On my course so far we’ve covered labels, art/space/geography and this week we are looking at the art of photography. So when I saw the title of the first incredibly timely and apposite lecture at the Inside Out festival ‘Death and Space’ my attendance was assured. ‘Death and the Contemporary’ according to the website, is a series of ‘site-specific events providing an opportunity for interdisciplinary discussions to consider issues surrounding the representation of death in contemporary culture’.

Paul Benney 'Pissing Death' (2012)
And where better to talk art, photography, space, contemporary cultural practices and death than in the Deadhouse under Fountain Court at Somerset House? This space resonated with all these connections; from links with the 17th century dead who were in attendance, to contemporary portrayals of powerful spirituality with the art of Paul Benney. As a brief aside, his exhibition works in perfect synchronicity with the light wells and moody, enclosed spaces of the Deadhouse. His mysterious shadowy figures beckon you, forests threaten to maroon you, saints watch over you, whilst Death in time honoured tradition simply pisses all over you.

Sunday 20 May 2012

Skin Deep at Hay Hill Gallery



Artist Jamie McCartney(left)

As I get older and wiser experience confirms that judging by appearances is never a good idea. One of the benefits of social media is swapping ideas and inner most thoughts, getting to know people from the inside first, allowing inner beauty to shine through. Then should you meet, you already know the mind of the person, if not the superficial flesh. And their looks, really, does it matter? Why are people so judgemental regarding what is on the surface? 

Skin Deep explores ‘notions of beauty and society’s obsession with the physical self’. The artist Jamie McCartney ‘depicts his models in their natural state without recourse to the scourge of image manipulation …they celebrate the human body and human condition.’ The exhibition contains over forty large photographs, bronzes, and plaster casts and is deeply intimate in subject; the human form is stripped bare leaving skin and personality exposed.

Tuesday 17 April 2012

Losing My Focus: Thomas Ruff's ma.r.s photographs

The geometric serenity of Ben Nicholson’s white 3D sculpture pictures have been haunting me since I saw them yesterday lunchtime. The clever formation of shadowed curves and lines in his pieces are subtle and ever changing depending on the direction of the light. We constantly have a need for perceptions to be challenged, viewpoints shifted and the unexpected to be just around the curve, hidden from sight. 

Monday 27 February 2012

'Overcoming Hurdles’: Photos at the London School of Economics

The LSE is providing a wealth of entertainment this week with the Space for Thought Literary Festival (probably more on that to follow) and the LSE Photo Prize exhibition: Overcoming Hurdles which opened today. The website describes it as ‘the 6th LSE Photo Prize Exhibition 2012 showcases a wide range of photography by LSE students and staff. Photos have been selected by a judging panel of art professionals and LSE staff.’

Thursday 16 February 2012

V&A Photographic Archive: Photography as Art

The Victorians proved problematic in my previous archive visit post so in the interest of balance, the next one is far more cheerful. The V&A story begins with an intriguing polymath, civil servant and inventor: Henry Cole (15 July 1808 – 18 April 1882). He was responsible for organising the Great Exhibition (1851) and then founding and developing a science/art collection in the South Kensington area which would both educate the masses and improve British industrial design. As the first General Superintendent of the Department of Practical Art, South Kensington Museum (1857-1873) he recognised the new phenomenon of photography had the right blend of art and science to be relevant to the museum.

Wednesday 15 February 2012

Royal Anthropological Institute : Discovering disturbing distances

The RAI is the world's longest established anthropological organisation with a global membership. Its controversial history is interesting and unavoidable; The Aborigines [native peoples] Protection Society was initially formed by the Quakers in 1837 to monitor slavery issues in the aftermath of the early 19th century Quaker campaign against the African slave trade.

From this it developed into the Ethnological Society of London (ESL) founded 1848. Their focus was the history of mankind but given the interesting Victorian obsession with colonialism and perceived inferiority of anyone who wasn’t white, in 1863 Richard Francis Burton and Dr James Hunt decided to form The Anthropological Society. This new society was interested in scientific notions of race and with dubious ideology was keen to prove that native people were actually a different species in order to justify slavery.

Wednesday 8 February 2012

Magnum Photo Agency: ‘No rules, just photographers telling stories’

'No rules, just photographers telling stories’ is essentially the Magnum Agency motto.

Their vast online archive is crammed full of images of momentous world events in the past 65 years; fall of the Berlin Wall, the Spanish Civil War, Tienanmen Square, the mass mourning at Princess Diana’s funeral, and any modern conflict – Chechnya, Iraq, Arab Spring. Then it’s not just events but well known individuals; actors on film sets, politicians of all persuasions and who could forget that Afghan girl with the green eyes? Their international reputation enable them to document NGO aid missions, raise awareness of health issues and provide photo-commentary to what might otherwise be overlooked by the traditional press.

Set up as a photographers’ collective in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger and David 'Chim' Seymour, they were determined their work should remain their own rather than giving up control of copyright and context to magazines for which they were working. In setting up their own agency (named after a magnum of champagne), they could not only license the images and control how they were used but go on to use spare funds to ‘support the production and the independent vision of its individual photographer members’.

Tuesday 7 February 2012

Formula 1: Doing things artistically at speed

Sometimes my impetuosity and ability to do things at speed leaves my friends reeling. There is nothing more exasperating (apparently) than being left dazed and confused in my slip stream as I go off on another diversion; usually followed by alarums and excursions in way or another.

My whirlwind tendencies, combined with the freezing weather, suggested that I should review an exhibition very close to home. So I popped unexpectedly downstairs from my office (with a cup of tea), had a gossip with the receptionist and spent an exhilarating few moments in the Collyer Bristow exhibition.

For 2 weeks only (catch it quickly) Darren Heath presents some of his best photographs from the 2011 Grand Prix season. This award winning photographer ‘specialises in Formula 1 and the automotive industry, endeavouring to cover events and commission in a creative and artistic manner using natural light and colour to their maximum effect’. Images of all the recent Formula 1 drivers are in evidence – Lewis Hamilton, Jensen Button, Fernando Alonso, and their teams, as well as the tracks and cities which play host to these annual races.

Thursday 2 February 2012

London Archives: What happened when I went looking for City Dragons...

Last night took me to the vast London Metropolitan Archives in Clerkenwell. The only way it can be described is ‘a collection of collections’ with millions of photos and 100 kilometres of shelving. Collections include Architecture, Family, Schools, Government, Hospitals, and Businesses, and within each sit a number of different layers/structures. For instance under Hospitals you would find the related buildings, famous people/benefactors, medical practice (but not medical records). Under Architecture you would find everything to do with the built environment, such as slum clearance, planning, surveying and so on.

Wednesday 25 January 2012

Art Erotica 2012: 'It's all a bit wanky'

Sex has been very much on my mind recently. One way or another I've been confronted with a lot of sexual imagery. What with art (Johnathan Yeo), film (Shame) and a lot of people kissing around the City of London (I blame the time of year), I wondered if I'd reached sensory overload when I contemplated visiting the ArtEroticaExhibition2012 in Cork Street, W1.

Turns out I'm insatiable and there were a number of pieces with which I'd quite like to have another encounter.

This open exhibition has two aims; to showcase new talent and raise money for charity. This year was their first themed show and they wanted 'to explore the erotic in a wide variety of ways, to be a showcase for contemporary work in the genre, and to make a meaningful contribution to the genre'. With these thoughts in mind let's turn to the art.